There were a few locations I’d chosen before arriving in Liverpool but the whole shoot was very much about looking for opportunities. On many occasions we were on route to a location only for me to keep get darting down streets looking for potential backgrounds of interest. When shooting on location I do try to keep some locations aside in case the heavens open, but then I wouldn’t have achieved all the lovely shadows in the bridge that leads to John Lewis (see examples below).
Once I set the flash or two up it’s very much about trying to maximise the location for angles and different posing before moving on. Just the slightest movement or expression change can make a massive difference to the final shot, so it’s very much about letting the model just model but also me telling her just to make some small adjustments.
Below are some of my favourites from the shoot .


One of my favs from the day and very much about chatting to the model and just her to create weird shapes and just going for it! These shutters were great as they had tiny holes which allowed some detail from the car park behind to come through.










I love all the angles and lines in this shot and had to keep waiting for the bridge to clear to get the shot.

Just love this shot with the shadows and the wall just dissapearing into the distance.


